Sanglotites équatoriales » is a discourse that reveals a singular dynamic. Through this poem rises a voice that is in tune with that of the oppressed to create a statement that challenges an audience sensitive to a cause: to denounce the violence of warlords against the weak populations of the Democratic Republic of Congo and the Central African Republic. The objective of the writer-speaker is to revive these horrible acts, in order to make people aware of the seriousness of the situation. Indeed, the poem becomes a cry of alarm since it exposes a fact that the authorities want to conceal. A descriptive poem, but above all a lyrical one, the sender irremediably leads his multiple speakers to form a community with him. It is in this sense that Nadia Origo’s ” Sanglotites équatoriales ” acquires an intersubjective posture. The aim of this article is to show how the poem ” Sanglotites équatoriales ” allows the writer-speaker to speak and create a dynamic space of communication. Hence the choice to explore it using the theoretical and analytical tools of the stylistics of enunciation.